In my search for information for an article or report, I have come across some really nice examples, which have inspired me to think, and indeed, even feel privileged to be connected to all matters environmental. I hope these examples will also inspire you in equally vibrant (if not more) ways. So, here goes (I am not listing these examples in any particular order):
#1: This was a great example of why "throwing away" is such a misnomer. Ironically, this poster was part of an ad campaign run by Shell (no paragon of virtue in environmental matters). It shows smokestacks "spewing out" flowers instead of gases.
My first point though is the fact that "there is no away". My second point here is that, unfortunately, a lot of feel-good campaigns (like this one) can be enviro-propaganda-cum-greenwash. The small print in the poster says that Shell uses its "waste carbon dioxide to grow flowers" and "waste sulphur to make super-strong concrete," which was strongly contested by complainants Friends of the Earth. So always think about what you see and try to gauge its real message before jumping to conclusions.
#2: This is a photograph taken by Chris Jordan. The photographer traveled to Midway Island, near the site of the pivotal World War II naval battle, to document the death of baby albatrosses on the island's nature reserve (if it can happen in a nature reserve, are there any safe places left?!).
Moral of the story: reduce your use of plastic and recycle it as far as possible!
#3. This entry is really a photographic essay by Kalyan Varma, an award-winning wildlife photographer and film-maker from Bangalore. He currently freelances with the BBC Natural History and National Geographic Channel (India), and also works with grassroots NGO's to highlight environmental issues in India. I became a fan as soon as I saw it! To put in his words, "In the race to make every inch of our land 'productive' we have scarred the landscape forever. We dig, mine, scrape, plant, bore and drill the land. This essays shows some of these landscapes from the air." And what's more, these images are all earmarked under the Creative Commons License!
The documentary follows the villagers of Jalsindhi (a village in Madhya Pradesh on the banks of the Narmada River about 10 miles upstream from the Sardar Sarovar project) and narrates their battle against the dam. The government provides them no viable alternatives: move to a slum in the city, accept the government's offer of unusable land a hundred miles away, or a small sum of money in compensation for their river-side land. The film documents hunger strikes, rallies, and a six-year long Supreme Court case, and finally follows the villagers as the dam fills and the river starts to rise.